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(Whether it's called narrative nonfiction, literary nonfiction, long-form journalism, creative nonfiction, or narrative journalism true stories, well-written and compelling) What is narrative nonfiction?
Conferences on narrative nonfiction/longform journalism Reports from conferences Story structure and storytelling Books on the craft of narrative nonfiction Good explanations and narrative nonfiction resources Outstanding narrative nonfiction books Anthologies of short creative nonfiction Publication and sites that feature narrative nonfiction E-singles, long-form journalism, and "read later" bookmarking systems About audio narrative (including digital and radio storytelling) Multimedia journalism and storytelling Personal storytelling venues Online venues for true stories and narrative nonfiction The Moth Online examples of excellent storytelling Other venues for stories told aloud to a live audience Paris Review interviews with nonfiction authors Why's This So Good?
Walt Harrington The Elements of Narrative Nonfiction: How to Write and Sell the Novel of True Events by Peter Rubie (published in an earlier version as "Telling the Story: How to Write and Sell Narrative Nonfiction") Keep It Real: Everything You Need to Know About Researching and Writing Creative Nonfiction , by Lee Gutkind (less practically helpful than other books listed here) Literary Journalism, ed.
Norman Sims and Mark Kramer Literary Nonfiction: Learning by Example, ed.
"That's what's wonderful about narrative nonficton: you don't have to lie, but you can write deeply about people," but "you have to put in your time." On Frank Sinatra has a cold" (about minute 34 on): Where is the story? On "B matter," the necessary information that can't come too soon or too late in a story. 300 Little Words: How to Write Narrative Short and Good (Roy Peter Clark's talk, which starts at about minute 9 or 10) What It Takes: Getting Stories Told in the New World of Narrative Nonfiction (panelists Ken Auletta, Jill Abramson, Hampton Sides, Amanda Urban, and John Stauffer discuss what it takes to be a long-form narrative nonfiction writer in todays fast-evolving technological world) Clearing Space for the Agenda: Setting Narrative in Digital Journalism (Dean Sparkman) Jill Abramson: The Power of Narrative The Moth & Friends: The Rise of Stories Out Loud (Jay Allison, independent broadcast journalist, curator and producer of The Moth Radio Hour) Beyond the "Like" Button: Digitally Addictive Storytelling and the Brain (Amy OLeary, a news editor and multimedia producer for The New York Times) Reaching New Audiences with Digital Devices (Jill Abramson, Managing Editor for the New York Times) The Power of Narrative: The Rebirth of Storytelling (about storytelling in all kinds of media, on all kinds of platforms--held at Boston University).
Cousin of the now-suspended Nieman Narrative Nonfiction conference. Here's one participant's reports: 10 Highlights from #BUNarrative (Susan Johnston, The Urban Muse, 4-10-13).
Andrea Pitzer's Nieman Storyboard report from the Mayborn Literary Nonfiction Conference. On the Atavist's app, another indication that the longform article "isn't only alive, it's actually dancing to new music." "You can't do original reporting by scraping the Internet." She talks about venues for longform stories, perfect for electronic devices and immersive, in-depth storytelling you can read or listen to on commutes.
Bowden is the author of Black Hawk Down: A Story of Modern War Narrative tips for nonfiction writers: more from the 2010 Mayborn Conference (Tom Huang, 7-28-10) Colin Harrison and Sam Gwynne on the editor-writer partnership, going deep and the difference between a subject and a story Boston University (BUniverse) talks on narrative nonfiction, many of them from the 2012 Narrative Arc conference (videotapes): Gay Talese, on hanging around and becoming close to strangers, so they are less strange (among things that worked for him: good manners and appearance, so they become comfortable with you==the son of a tailor, he dressed well), on being in a business that tries to tell the truth, on learning his narrative skills from reading fiction, on shirtboard notations (minute 23, the things he makes notes on), on verifying that what they say is what they mean, on leaving the Times to write for Esquire ("I was a master of the minor character"). "These articles really do change the world"--for example, Alan Schwarz's pieces on the dangers of concussions from football, published while the NFL was till in denial, before they were forced to do something about the consequences.
See An intimate new narrative conference, Cali style (Paige Williams, Nieman Storyboard, 6-6-14) Vanity Fairs Bryan Burrough on writing narrative: people are dying to put down your article .
Basically, it's fact-based storytelling that makes people want to keep reading.
Forms of creative nonfiction include literary journalism, the memoir, the lyric essay, the prose poem, and the nonfiction short.
Clicking on a title/link will take you to the page for the title, where you'll find information about the book. "Mc Phee has set the standard for the genre of creative nonfiction . by Sherry Ellis (writing exercises of masters of creative nonfiction) Contemporary Creative Nonfiction: The Art of Truth, ed.
Any purchase you make after following such a link will bring a small commission to this site (which helps support the cost of providing it). Bill Roorbach (anthology that brings together examples of all three of the main forms in the genre: the literary memoir, the personal essay, and literary journalism) Intimate Journalism: The Art and Craft of Reporting Everyday Life, ed.
On Nieman Storyboard, Andrea Pitzer presents excerpts from presentations at the BIO (biographers) conference 2011 by Anne Conover Heller (author of Ayn Rand and the World She Made), John Aloysius Farrell (author of Clarence Darrow: Attorney for the Damned), and Jane Leavy (author of biographies of Sandy Koufax and Mickey Mantle).